Bach Bibliography Search Result

Series : ^diss.$
Year : 1992
Show full details : ON
Max number of results shown : 300
Output sorted : serially \(table\)

Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Corneilson, Paul Edward	Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859	diss.			1992
	2.	Bynum, Leroy Evans, Jr.	The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313	diss.			1992
	3.	Brink, Arend	Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992.	diss.			1992
	4.	Pretorius, Estelle	Musiek-allegoriese elemente in twee kantates van J. S. Bach: 'n Studie in woord-toonverhoudinge. [Music allegorical elements in two cantatas of J.S.Bach: a study in word-painting] MM, University of Pretoria, 1992.	diss.			1992
	5.	Böhnert, Andreas	Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992.	diss.			1992		'year' conjecture
	6.	Groves, S. E.	Bach Pianists: a Performance History. DMA doc., The University of Texas at Austin, 1992, 116p.	diss.			1992	116p
	7.	Krug, Hans-Peter	'Die Marburger Anatomenfamilie': (Wagener, Lieberkühn, Gasser, Strahl, Zumstein). vorgelegt von Hans-Peter Krug. - Marburg, Univ., Diss., 1992. [3], 119p. [contains Biography of Guido Richard Wagener]	diss.			1992	119p
	8.	Herrmann, Matthias	Der Komponist Rudolf Mauersberger (1889 -1971): Untersuchungen zum handschriftlich überlieferten instrumentalen Frühschaffen und zum vorwiegend unveröffentlichten vokalen Hauptwerk; mit systematisch-chronologischem Werkverzeichnis (RMWV). Hochschulschrift: Leipzig, Univ., Habilschr., 1992. Teil 1: 133, [17] Bl; Teil 2: 198 Bl.	diss.			1992	133, 198p
	9.	Sanders, Morgan Shawn	The use of twentieth-century string techniques in solo violoncello music by Texas composers (1977-1987): From a performer's approach. DMA doc., Music: U. of Texas, 1992. 146p. UMI DA9225785	diss.			1992	146p
	10.	Shabalina, Tat'jana	Sonaty I. S. Bakha dlya kamernogo ansamblya. Problemy tekstologhii v svyazi s istoriyey sozdaniya i ispolnitel'skoy praktikoy. PhD diss. St Petersburg, 1992. 165p. [J. S. Bach's Sonatas for Chamber Ensemble: The problems of their text criticism in connection with their creation history and modern performance practice]	diss.			1992	165p
	11.	Fontana, Giuseppe	Diciotto edizioni novecentesche della Suite III per violoncello solo, BWV 1009, di J.S. Bach: Osservazioni sui criteri e sull'uso. [Eighteen 20th-century editions of J.S. Bach's suite no. 3 for solo violoncello, BWV 1009: Observations regarding criteria and practice] Tesi di laurea, Storia della musica: U. degli Studi di Venezia, 1992. 195 p.	diss.			1992	195p
	12.	Osokin, Sergej	Istoriceskaja zizn' muzykal'nogo proizvedenija v ispolnitel'skom iskusstva: Na materiale interpretacij Horoso temperirovannogo klavira I.S. Baha. [The historical life of a musical work in performance practice: Materials from interpretations of Das wohltemperirte Clavier] PhD diss., Performance practice: Gosudarstvennaja Konservatorija, Moskva, 1992. 22 p.	diss.			1992	22p
	13.	Palazcenko, Irina	Instrumental'naja fantazija XVII-XVIII vv.: Genezis i puti razvitija. [The instrumental fantasy in the 17th and 18th centuries: Genesis and routes of development] PhD diss., History of music: Gosudarstvennaja Konservatorija, Moskva, 1992. 24 p.	diss.			1992	24p
	14.	Mansure, Victor Newell	The Allemandes of Johann Sebastian Bach: A Stylistic Study. DMA diss., Music History, University of Oregon, 1992, 284p. UMI DA9313305	diss.			1992	284p
	15.	Eisert, Christian	Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. PhD diss., Musicology, Freiburg im Breisgau. 1992. 298p, 194p (Anh. 1. Kritischer Bericht, Lesartenverzeichnisse) + Edition (Anh.2 - Manuskript für Wiener Urtext-Edition / Schott-Verl., Mainz)	diss.			1992	3 vols
	16.	Johns, Cort MacLean	Technology, Culture and Creativity: Factors Connecting Invention and Scientific Discovery. [on J.S. Bach in Kassel, pp. 122-129]. Diss. University of St. Gallen, 1992; Diss. Nr. 1333. 301p.	diss.			1992	301p
	17.	Janson, Peter	Applicatio textus or dramma per musica? The function of the church cantatas by Georg Friedrich Kauffmann. PhD diss. University of Victoria, British Columbia. 1992. 323p.	diss.			1992	323p
	18.	Lewis, Gary Wayne	Ornamentation in the Music of J.S. Bach: A Study of Formal Design, Motivic Continuity, and Aesthetic Value. DMA doc., University of Oregon, 1992, 336p.	diss.			1992	336p
	19.	Mehne, Wendy Ann	A Research/Performance Edition of Johann Sebastian Bach's Acknowledged Flute Sonatas. DMA diss., The University of Wisconsin - Madison, 1992, 352p. UMI DA9221923	diss.			1992	352p
	20.	Maxwell, Grant L.	Music for three or more pianists: An historical survey and catalogue. DM doc., Music: University of Alberta, 1992. 355 p.	diss.			1992	355p
	21.	Morton, Wyant	Questions of Authenticity in three Motets Attributed to Johann Sebastian Bach. MusAD diss., The University of Arizona, 1992. 46p. UMI DA9229856	diss.			1992	46p
	22.	Taylor, Jeffrey Mitchell	Johann Pachelbel's cantata 'Christ lag in Todesbanden': Its significance as a possible model for J.S. Bach's cantata no. 4. MM thesis, Music: California State University, Long Beach, Fresno, 1992. 54p	diss.			1992	54p
	23.	Vieira, Yara Quercia	Aspectos tecnicos da partita n. 1 para violino solo de J.S. Bach. [Technical aspects of the partita no. 1 for solo violin by J.S. Bach] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1992. 91p. [BWV 1002]	diss.			1992	91p
	24.	Holler, Ann K.	A comparative study of selected Bach and Klengel fugues. M.M. diss., University of Tennessee, Knoxville, 1992. viii, 69p.	diss.			1992	viii, 69p